I believe Painting is essentially unstable and hypersensitive. I’m addicted to the changing conditions and situations one can enter through making paintings. The Skin Horizon paintings feel flexible and open, direct and reactive. They seem to be able to absorb the molecules and ideas of the world into them, directly into their surfaces! They go through the similar strains and movements that our bodies go through, as well as re-creating geological and entropic movement; all lit via a heightened sense of Urban colour; I want time itself to shape the surface and image. -