Luca Tommasi Arte Contemporanea – Milano / Milan, Gennaio / January – Marzo / March 2016

The surfaces of Harding’s paintings are evident and explicit; they challenge the observer directly. But they are also refractory and elusive surfaces which flee.

The space in the artist’s work is potentially unlimited; a shifting space of thought and movement, aerial and corporal. Harding’s work can be read as both a reflection and criticism of our hyper-modern times, our ‘non real reality’.